07 02 2012
\nHalvor R\u00f8nning \/ Martyn Reynolds \u2013 ARMANI \/ dada
\nARMANI \/ dada is a new tendency in art.<\/p>\n
Rub my ear with your wet finger; we amplify each other\u2019s highs and lows.
\nHow does one achieve eternal bliss? By saying ARMANI \/ dada. How does one become famous? By saying ARMANI
\n\/ dada. With a noble gesture and delicate propriety. Till one goes crazy. Till one loses consciousness. How can one
\nget rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, europeanised,
\nenervated? By saying ARMANI \/ dada. ARMANI \/ dada is the world soul, ARMANI \/ dada is the pawnshop. ARMANI \/
\ndada is the world\u2019s best lily-milk soap. And in questions of aesthetics, the key is quality.
\nLike Kate Moss doing Ashtanga Yoga gigantically sculpted in marble. A line of poetry is a chance to get rid of all the
\nfilth that clings to this accursed language, as if put there by stockbrokers\u2019 hands, hands worn smooth by coins. All
\nthe words are other people\u2019s inventions. I want my own stuff, my own rhythm and all I can think of is Kate Moss\u2019s
\nenormous pussy.
\nThe dadaist manifesto, is that the whole thing? I dunno, it was the first hit on Google.<\/p>\n
Halvor R\u00f8nning (NO) and Martyn Reynolds (NZ)
\nhave been working together since they first met in Vienna in 2010.
\nRecent joint exhibitions include Das Kind, der Gangsta und die neuen Freiheiten, Former Bell Street project space, Vienna 2010,
\nACICS \u2013 pure affect, MFAPS, Oslo 2011 and PROPERTY PORN, Holodeck, Oslo 2011.
\nARMANI\/ Dada was published by Feil Forlag in conjunction with the residency program W17, Kunstnernes Hus Oslo in November
\n2011.
\nARMANI\/ dada includes text contributions from Tahi Moore (NZ) and MouNTaiNMisT (NO)
\n\u00abwww.halvorronning.no
\n\u00abwww.martynreynolds.com
\n\u00abwww.feilforlag.no<\/p>\n","protected":false},"excerpt":{"rendered":"
07 02 2012 Halvor R\u00f8nning \/ Martyn Reynolds \u2013 ARMANI \/ dada ARMANI \/ dada is a new tendency in art. Rub my ear with your wet finger; we amplify each other\u2019s highs and lows. How does one achieve eternal bliss? By saying ARMANI \/ dada. How does one become famous? By saying ARMANI \/ … Continue reading “No.63 Halvor R\u00f8nning \/ Martyn Reynolds \u2013 ARMANI \/ dada”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":194,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/posts\/191"}],"collection":[{"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=191"}],"version-history":[{"count":1,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/posts\/191\/revisions"}],"predecessor-version":[{"id":195,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/posts\/191\/revisions\/195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=\/wp\/v2\/media\/194"}],"wp:attachment":[{"href":"https:\/\/dienstagabend.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dienstagabend.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}